Download Glamour Addiction: Inside the American Ballroom Dance Industry, by Juliet E. McMains

Download Glamour Addiction: Inside the American Ballroom Dance Industry, by Juliet E. McMains

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Glamour Addiction: Inside the American Ballroom Dance Industry, by Juliet E. McMains

Download Glamour Addiction: Inside the American Ballroom Dance Industry, by Juliet E. McMains

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Review

"The only book I know that explores the contemporary practice of ballroom dancing and its professional manifestation, DanceSport. It is a significant contribution to the literature in dance studies and gender and sexuality studies." ―Ann Dils, associate professor, Department of Dance, University of North Carolina, Greensboro"The world of competitive ballroom dance is a significant dance and cultural phenomenon that no one has yet explored in depth. This book is important to our continued understanding of popular and social dance forms."―Julie Malnig, author of Dancing Till Dawn: A Century of Exhibition Ballroom Dance

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About the Author

Juliet McMains is an assistant professor in the dance program at the University of Washington.

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Product details

Hardcover: 245 pages

Publisher: Wesleyan University Press (November 17, 2006)

Language: English

ISBN-10: 0819567744

ISBN-13: 978-0819567741

Product Dimensions:

7.2 x 1 x 10 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#1,043,846 in Books (See Top 100 in Books)

I have been involved in Dancesport as an amateur for DECADES and in my opinion, most of the author's insights to the American (and English) dance industry are spot-on.In each chapter, her writing starts off a bit stiff with master's-thesis-speak ("I will then define...") but it loosens up during the chapter, and her sentence structure is not as contorted as her introductions portend. She only uses a few of them-there new-fangled words, and you'll probably guess their general meaning from the context ("reify", "conflation"). It's not difficult reading, really; if you start to feel bogged down, just read quickly and then slow down for those passages with information you want to think about. For every sentence that smacks of high-academia, she makes several observations that are so well-put (and need to be said) that I found myself constantly reaching for my pencil to underline or write a note about something I was reading. (Her short dissertation on the "black butt" was particularly entertaining.)Her critiques on race and gender go on too long and I lost interest after a while (and started to skim). Nevertheless, as with her examinations of the dance industry and its clientele, and the differences between social and competitive partner-dancing, I think that her observations are correct, even if I don't agree with all her conclusions (you do not have to be defensive about your social class to suggest that dancers projecting straight lines and well-articulated footwork are more attractive than dancers who hunch over and shuffle).My own interest in this book was initially piqued by her exposition on the history of Dancesport Latin. She has the best summary of how we all came to `break on 2' that I have read. Except for the last few pages of the Introduction, and toward the end of her race-and-gender sections, I was absorbed with the writing, and read the entire book over a few consecutive evenings. Even the "Notes" contain useful and interesting information: have you never wondered who exactly made up the Cha Cha and Chá? Or where the Jive syllabus came from? Or where to find a good history of Salsa? This is a pretty good place to start.And my own unsolicited advice to aspiring dance students: just stay away from contracts, package deals and discount cards with expiration dates, and you'll be fine. And do finish college or plumbing school.

Interesting book about the business of ballroom dance and how it evolved differently in the US and the UK. Written by a university professor and reads like it. Although I have known some of the people the author quotes, I cannot confirm the accuracy of what she says. I believe it to be substantially correct. A must read for anyone interested in ballroom dance.

This book is required reading for anyone wishing to know more about ballroom dancing. It reinforces many of my own observations. In this book you will find a voice independent from the bubbly mainstream press you usually hear about the ballroom dancing industry. It portrays that industry in a negative light because it is a system that manipulates its dancers. It discusses the development of the dancesport industry in contrast to varying trends in social dancing over the last century. It provides commentary about this weird style of ballroom dancing called "latin" where dancers move in ways that latinos actually do not. It does these things in an academic tone considering factors such as race, class, and gender.

One of the most INCREDIBLE books I have ever read. So painstakingly written. Teaches not only the political but also the psychosocial aspects of Ballroom! Too good of a book to exist! No fluff, no lovey-dovey drama.

I am a beginning dancer, and I just started taking group classes at an independent studio. The author of this book is right on the money when she talks about the high pressure tactics, and the somewhat less pressure tactics that the dance studios use to hook you into paying for private lessons. Many of the students I have talked to stated that they came for Arthur Murray and some of the chain studios because they REQUIRED you to take private lesson. This studio does not-thank God. However, they make it clear that they would like for you to do so. At the beginning or the end of the group class, they always mention to us: don't forget to take advantage of our special offer. That offer is that you get a free private one hour lesson. Obviously, they then state, and of course you are under no obligation to sign up for further private lessons-sure! What I have found very helpful-and it is sure a lot less expensive than paying for private lessons is this. When I take a group class for example on the waltz-I make sure before taking the class to purchase an instructional video for the waltz or whatever class I am taking. This is because I either don't remember what the instructor said or doing the week-I forget the steps and can look them up on the video. I would like to know what other dancers think of this-as an alternative to private lessons. I note that the author makes no mention of this in her extremely well written-and in my judgment accurate book-certainly in the way the studios market their product.

Surprisingly, in 2006, two different writers, Juliet McMains and Caroline Picart, have independently written two remarkable books with very similar themes. Each unearths how British Imperialism assimilated African forms, stripped them of their roots and disciplined them into the 'universalist' cultural expression, practiced today in the white male dominated 'industry' known as Dancesport. Each hopes that art might triumph to express a more egalitarian norm, one where women and people of color might be permitted greater freedom though both locate the barriers in class, race, and gender--that is money. To those who would scoff at their hope, I would tell the story of yet another dancer, the venerated agitator Emma Goldman, who, though asked to stop dancing at a social gathering when she was told of a comrade's death, reportedly responded: "If I can't dance, it is not my revolution!" For her, it was all about life and joy, the one fountain from which both artistic and political change flowed. Here, McMains and Picart keep that spirit alive.

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